This painting spanned a 4 month time period and is one my all-time favorites!
In the beginning I do a contour sketch of the objects to help get my placement right.
Then I start laying out glazes in very thin layers to help build up color and depth.
I don't drop a a lot of paint into my paintings I like to use thin layers because each coat helps to compliment the other giving a lot of depth and value to each object. Also I do not use black in any of my paintings because nothing is completely black and the method I use gives the objects a greater sense of depth.

To the right you'll see that I am also holding a photograph. The photograph is one that I took and I feel very strongly about that - to me art has to be something that you did and if you choose to work from a photo then it should be your photo.

To the right you'll see that I am also holding a photograph. The photograph is one that I took and I feel very strongly about that - to me art has to be something that you did and if you choose to work from a photo then it should be your photo.
Also the fruit by the time I was done would be rotted! LOL! So anyhow I will setup the composition and then take a photograph to capture the positioning of the fruit. Afterwards I then use the photos as well as actual fruit for color reference.
Keep in mind, that sometimes these photo sessions will take a long time and even as many as 200 photos will be taken before a final composition is settled on.
After hanging in two juried shows and being published in the Bluestone Review, this painting has sold and here is a pic of me with the final piece and the customer - Dr. Cindy Bascom!
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